Slot Machine Theatre make bold, contemporary work for audiences of all ages.

Our work is interdisciplinary, always made collaboratively, and frequently with the input of children and young people.
In collaboration with and in response to our young audiences, we push the envelope of theatre for all ages.

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• Choreography for Slot Machine Theatre: The Slide Show, Kipper’s Snowy Day, The Austerity Show, One Snowy Night, Miki, The Scooter Project, Your Toys, The Boy the Piano and the Beach. Fiona is a core company member of The People Show, and has co-created and performed in the majority of their productions over the last 20 years, including their.

Slot Machine are three Co-Artistic Directors Nick Tigg, Fiona Creese and Nicola Blackwell, Producer Emma Dolman, and Artistic Associate Isy Sharman.

We formed the company in 2006.

There are three main strands to our practice: New Work, Commercial Productions and Mentoring.

An example of our most recent new work is The Boy, The Piano and The Beach, which is a live classical piano recital illustrated in projection, contemporary dance and puppetry and was co-commissioned by Brighton Festival and Swaledale Festival.

Our commercial productions (all of which are lovingly-crafted adaptations of children’s books) regularly play main house Christmas runs at venues such as Worthing Connaught, Leicester Curve, Corby Cube and Birmingham MAC.

We have a long-term relationship with Norden Farm Centre for The Arts in Maidenhead, who for 10 years have been a key partner for us, co-producing and commissioning our popular commercial work. To date, these productions have been seen by over 110,000 people.

Our mentoring springs from the conviction that making work is a team sport, and that companies and artists at all levels can benefit from friendly and supportive input. Theatre and live work is an ecology, and we want to play our part in encouraging others working in the field. This could range from whole-company mentoring for a new project, to informal phone-a-friend conversations with an emerging artist. Keep an eye on our website for further news about mentoring.

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For 2020, we’ll be streaming our delightful filmed version of Kipper’s Snowy Day via a number of theatres and cinemas around the country throughout December, so keep an eye on our website for the full list, or go to your local theatre’s website. If in doubt, get in touch with us and we’ll point you in the right direction.

If you’re a venue and interested in booking the film, contact our producer emma@slotmachinetheatre.com

‘It was a new morning, and it was snowing!
Kipper rushed outside.
The snow lay deep and smooth and new, like an empty page waiting to be scribbled on…’

Kipper and his best friend Tiger go an adventure in the snow – but on the way they lose their friend Arnold in a terrible storm. Will they find him? And will they find their way back home?

Slot Machine Theatre presented the first ever stage adaptation of Mick Inkpen’s well-loved books in 2014 – now, in response to the current situation, we’ve made a film of this stage adaptation that you can see at your local theatre, cinema, or stream at home.
For 3+ years.

Filled with original songs and music, gorgeous puppetry and gentle humour, this warm-hearted Christmas show is perfect for children and their families.

And there’s loads of extra activities too:

• There’ll be a YouTube vid to show you how to make some Kipper Ears to wear at your screening – share your pics to enter our competition on Facebook
• Grab your Ukulele and learn one of the songs in the show via our YouTube tutorial – then play or sing along with Kipper and Tiger during the show
• Download our activity pack for schools, packed full of ideas for Key Stage 1 and Key Stage 2 – handy for parents too!
• Keep a look out for online appearances of Kipper himself

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And keep an eye on our website for news of venues and booking details.

This is one of 3 shows Norden Farm has commissioned us to create, alongside Miki and One Snowy Night.

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We’re incredibly grateful to Norden Farm for producing and commissioning these shows: they wouldn’t have been made without a huge amount of work by the venue on every aspect of the productions.